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Shot on 15/70mm IMAX film

Best Seats for Oppenheimer in IMAX

Shot entirely on IMAX film - including the first-ever IMAX black-and-white photography.

Christopher Nolan · 2023 · Native IMAX ratio 1.43:1 (true IMAX)

Oppenheimer is the most IMAX-centric narrative film ever made: the whole movie is large-format, and the true-IMAX 1.43:1 sequences are razor-sharp and enormous.

On a genuine 1.43:1 screen the difference is dramatic, so seating for the tall frame is the priority - centre, upper-middle, where the full height sits comfortably in view.

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How Oppenheimer was shot

Oppenheimer was photographed entirely on large-format film, with extensive use of 15/70mm IMAX cameras. Nolan and Hoyte van Hoytema even developed brand-new IMAX black-and-white film stock for the movie's subjective sequences.

DirectorChristopher Nolan
Year2023
IMAX captureShot on 15/70mm IMAX film
Expanded IMAX ratio1.43:1 (true IMAX)

Sequences that open up to the full IMAX frame

Where to sit

SCREENBest seats↑ too close (front rows)

For Oppenheimer, aim for the centre column, roughly two-thirds of the way back. On a 1.43:1 (true IMAX) presentation this keeps the very tall frame comfortably within your field of view.

  • Centre seats keep geometry and sound balanced.
  • Two-thirds back avoids neck strain on the tall frame.
  • Avoid the front rows - the image overruns your vision.
  • Avoid the far sides - curvature and sound skew.

Read the full reasoning in our best seat in IMAX guide.

Keep reading

External references: Oppenheimer on Wikipedia · 70mm film on Wikipedia

Frequently asked questions

What is the best way to watch Oppenheimer?

On a true 1.43:1 IMAX 70mm film screen if you can find one - that is exactly how it was shot. Otherwise IMAX with Laser is the next best presentation.

Where are the best seats for Oppenheimer in IMAX?

Sit in the centre column about two-thirds back (rows 8-11 in a typical IMAX house). The film's tall 1.43:1 frame rewards a seat where the full screen height fills your view.