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Filmed with IMAX-certified digital cameras

Best Seats for Dune: Part Two in IMAX

Filmed with IMAX-certified cameras for an expanded 1.90:1 frame on Arrakis.

Denis Villeneuve · 2024 · Native IMAX ratio 1.90:1 (full IMAX digital)

Denis Villeneuve frames Arrakis for scale, and IMAX's expanded 1.90:1 ratio gives those vistas the extra vertical room they were composed for.

Because this is a full-frame IMAX digital presentation (not 1.43:1 film), you can sit a touch further back than for a true-IMAX title and still take in the whole image comfortably.

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How Dune: Part Two was shot

Dune: Part Two was shot with IMAX-certified digital cameras (Arri Alexa LF / Mini LF with IMAX-approved optics), so its IMAX presentation expands to the taller 1.90:1 frame - bringing more of the desert and sky into view than the standard widescreen crop.

DirectorDenis Villeneuve
Year2024
IMAX captureFilmed with IMAX-certified digital cameras
Expanded IMAX ratio1.90:1 (full IMAX digital)

Sequences that open up to the full IMAX frame

Where to sit

SCREENBest seats↑ too close (front rows)

For Dune: Part Two, aim for the centre column, around the middle-to-upper-middle rows. On a 1.90:1 (full IMAX digital) presentation this keeps the expanded frame comfortably within your field of view.

  • Centre seats keep geometry and sound balanced.
  • Two-thirds back avoids neck strain on the tall frame.
  • Avoid the front rows - the image overruns your vision.
  • Avoid the far sides - curvature and sound skew.

Read the full reasoning in our best seat in IMAX guide.

Keep reading

External references: Dune: Part Two on Wikipedia · IMAX on Wikipedia

Frequently asked questions

Is Dune: Part Two better in IMAX?

Yes. It was shot with IMAX cameras, so the IMAX version reveals an expanded 1.90:1 frame with noticeably more image than the standard 2.39:1 crop, plus IMAX's higher brightness and bass.

Where should I sit for Dune in IMAX?

Centre column, roughly the middle-to-upper-middle rows. For full-IMAX digital (1.90:1) a seat about 55-65% of the way back gives an immersive view without straining.